Showing posts with label brazil. Show all posts
Showing posts with label brazil. Show all posts

[dtksvmjhqp] Download Clarks Fonts Family From PintassilgoPrints

Download Clarks Fonts Family From PintassilgoPrints
Download Clarks Fonts Family From PintassilgoPrints Download Clarks Fonts Family From PintassilgoPrintsDownload Clarks Fonts Family From PintassilgoPrints



Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art. 


Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions. 


The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic, to play with these.


Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!



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Download Riacho Fonts Family From SullivanStudio

Download Riacho Fonts Family From SullivanStudio
Download Riacho Fonts Family From SullivanStudio Download Riacho Fonts Family From SullivanStudioDownload Riacho Fonts Family From SullivanStudio



Riacho is a Portuguese word for “creek”. It evokes movement and tranquility. It was in this spirit that I created Riacho: I wanted a typeface that would bring the industrial dynamism of a sans serif while passing the informality and trust of an old friend. Riacho is completely handmade, stylus-designed, charmingly imperfect but with a rational, objective attitude. Riacho is sans, but its capital letters are serif. The kerning is rigorous, and the ligatures are reduced to the essentials without distractions. The font features a subtly emotive handwriting, which makes it ideal for editorial material for children and young people. Poems, love letters, food recipes ... everything that is about feelings and sensations looks fresh and elegant dressed in Riacho! Riacho, for its friendly sobriety, also looks great with scientific texts. Mathematical equations typeset in LaTeX / XeTeX systems have never looked so good, not only on PowerPoint/beamer/OpenOffice slides but also in print. Riacho's x-height is similar to Times Roman and Computer Modern fonts, so typesetting professional equations with both glyph sets together flows naturally (please refer to gallery image #6 for a XeTeX example of a Riacho/Computer Modern combination). Each Riacho font file contains 559 glyphs, 3354 in the whole family (6 fonts). For best results on screen display (PDFs, presentations, movies), the Semibold family is recommended.


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Download Zigfrida Font Family From Anderson Ruda

Download Zigfrida Font Family From Anderson Ruda
Download Zigfrida Font Family From Anderson Ruda Download Zigfrida Font Family From Anderson Ruda Download Zigfrida Font Family From Anderson Ruda



Zigfrida Typeface was born from a process of re-designing a logo where, through a grid created, I was developing all its main characters. As the project grew, it was noted that it was necessary not only to limit itself to the Latin alphabet, but also to develop Cyrillic characters. Its possibilities of use are endless, can be used in projects for your favorite sport, signs, posters, large formats, advertising projects, architectural, packaging, titles, among others. The result of all this was the development of a font that has up to 747 glyphs that can understand 100% of Latin languages and the vast majority of countries that use the Cyrillic alphabet. It has unique personality and characteristics that bring a differential to any project it is part of. ----- A Zigfrida Typeface nasceu a partir de um processo de re-design de um logotipo onde, através de um grid criado, fui desenvolvendo todos os seus principais caracteres. A medida que o projeto foi crescendo, observou-se que era preciso não apenas se limitar ao alfabeto latino, mas também desenvolver os caracteres cirílicos. Suas possibilidades de uso são infinitas, pode ser utilizada em projetos para seu esporte favorito, sinalizações, cartazes, grandes formatos, projetos publicitários, arquitetônicos, embalagens, títulos, entre outros. O resultado de tudo isso foi o desenvolvimento de uma fonte que possui até 747 glifos capaz de compreender 100% dos idiomas latinos e a grande maioria dos países que utilizam o alfabeto cirílico. Tem personalidade e característica únicas que trazem um diferencial para qualquer projeto que ela fizer parte.


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