Yvette Pokrovskaya

Designed at ParaType in 1997 by Tagir Safayev for advertising and display typography. Based on Block of H. Berthold, 1908 by Heinz Hoffmann. A bold sans of a typical German pattern.

Mi Casa is a new condensed version of our Home Style font which is a revival of an old 1800's classic ornate French font.

This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new black version.

Mi Casa is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus.

Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you'll need an application that works in layers to use the fill fonts in Mi Casa.

The regular fill font for Mi Casa isn't meant to be used as a stand alone font so we've created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font.

We hope you enjoy Mi Casa as much as we did making it.

Mi Casa is a trademark of FontMesa LLC

JT Olifer is family font of Jolicia Type designed by Laire Banyu Sandi Pawenang in October 2021, JT Olifer inspired by Modern Typography developed by us in our perspective, with a typeface detail in every corner we make more rounded, and give an inktrap accent to make unique impression special in every glyph, we really consider about aspect legibility, therefore we make family font amount 40 to assist the selection according to visual needs.

Font type of JT Olifer contains several nuances that combain aesthetic, contemporary and modern, furthermore we make some alternates glyph that have a friendly and subtle impression, for example ‘f’ the alternate of this name our font we designed is more circular and smooth.

JT Olifer has a total of 465 letters with regular, slanted and condensed styles support in 90 languages :

Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu

English Esperanto Estonian Faroese Filipino Finnish French Friulian GalicianGanda German Gusii Hungarian Inari Sami Indonesian

Irish Italian Jola-Fonyi Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish

Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen Northern Sami

North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo

Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss

German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters.

Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born.

The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow.

Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?

Office Staff JNL is a version [with serifs added] of Popularity JNL – a condensed Art Deco design based (for the most part) on a popular typeface known in some foundry books as ‘Radiant’ with some reinterpreted characters… and is available in both regular and oblique versions.

A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style.

This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design.

It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.

The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design.

It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.

Slivky is a condensed rounded font family. It includes 6 styles: All Caps, All Caps Swash, Regular, Regular Swash, Small Caps, Small Caps Swash.

Swash fonts have large capitals in the style of handwritten / script fonts. This cute rounded font is quite versatile due to the different styles. Good for logos, packaging, posters, advertisements and more.

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.

It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!

Ideal for magazine, posters, headlines and pull quotes.

SK Coisa is a decorative slanted geometric typeface with a daring character. Its sharp shapes and angles, and indeed the whole structure, scream for its extraordinary nature. It is unusual and stands out, and most importantly, it does not hesitate to be not like everyone else. SK Coisa is built on the contrast of rounded and sharp geometric shapes, and because of it, its appearance is impossible to forget. The typeface has both capital and lowercase characters. It supports the basic and expanded Cyrillic and Latin alphabet, as well as many other languages ​ ​ and character sets. If you want your design to scream, then SK Coisa is exactly what you need!